Data Weave is a marriage of art forms to the extent that the Jacquard loom’s use of punch cards to weave intricate motifs inspired the use of punch cards for saving and executing programs in early computing.
Data Weave extends traditions of embedding symbols in textiles to communicate information by applying my practice of color coding binaries to weaving. This process of encoding data with color produces intricately detailed, cascading motifs that are meant to be woven pixel to stitch.
Each pixel represents bits of data showing how weaving can also be understood as pixel art. Furthermore, Data Weave simultaneously illustrates an alternate way of data preservation and a materialization of digital ephemera by tangibly elucidating data structures with color.
…while the cave paintings in Lascaux are an incredible 20,000 years old, it isn’t clear whether digitized images of that art—or any digital art created today—will last 20 years, let alone 20,000.
That’s because digital art requires readers and, often, software in order to to be viewed, heard or experienced. And as software, browsers, and files either update versions or become obsolete, both digital art—art produced by means of computers and software—and digitized art—reproduced or copied art, rendered in digital form from original physical media—are at risk of disappearing.
It’s with this in mind that Google Arts & Culture has partnered with Rhizome to help in the preservation of digital art. Rhizome grew out of the blossoming web-artist community of the mid-1990s, and is now a thriving nonprofit in New York City. They’ve developed unique tools which preserve digital artworks and allow them to viewed long after their complex, software foundations have become obsolete.